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Showing results for tags 'indie'.
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Thanks so much for considering our band. Please find latest pre released single link, tagged @ 320 kbps & WAV “Here And There” by DRES_ free download Release date February 18 2022. Available on Spotify, Apple Music and all other digital platforms. We really hope you enjoy it! MP3 https://drive.google.com/file/d/1hD95S9Sd0lG0pHQJJP_M8GrAc0R8tMAZ/view?usp=sharing WAV https://drive.google.com/file/d/1ZUjyQWTm9xWRgVEH6VjD2f_mrPWWeESy/view?usp=sharing We are a 5 piece indie rock/pop Band from Houston, Texas. We write, record and perform our own original music in the Houston and occasionally Austin areas. Written & performed by DRES_ © DRES_ All rights reserved. Facebook https://www.facebook.com/wearedres/ Instagram https://www.instagram.com/wearedres_/?hl=en YouTube https://www.youtube.com/channel/UCBgaadh4yZg2qff_JknvkAQ Twitter https://twitter.com/weareDRES_ Website www.WeAreDres.com Spotify https://open.spotify.com/artist/2DIkukrPQceFU08qKhQsZB?si=Vq-9_hwpSCSfugaRHMnNmA Check out our previous releases available to download for free. MP3 https://drive.google.com/drive/folders/1N4cloIPIwqxWI45HrCSfcOUZ3Xxdd48a?usp=sharing If you have any questions or if there is anything else you may require please don't hesitate to contact me. Wishing you all the very best. Thanks again. Michael N’Dong (Band Member) DRES_ - Here and There.mp3 DRES_ - Circles (2).mp3
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IMG_0757.MOV New music release New music release date November 26, 2021 “Why I wrote 1st One In” 1st Responder Anthem “There’ll never be anyone we can do without” affirms that life is precious and must be protected at all times. Imagine a World, if everyone embraced the idea that there will never be anyone we can do without, needless taking of life will stop. I also, wrote this song to honor First Responders. “1st One In” is delivered at a time people are starting to reflect about the collective courage it takes to survive, and welcoming return to feeling the joy of being and back together, again. Saving of life is about me protecting you and you protecting me. Video Lyrics “1st One In” VERSE Staring at a box of open letters. Hoping this will be the day when only good gets better. Then, in comes the call… A time to risk it all… I’m running to your rescue. I’m running to your rescue. Saying a prayer. God only knows what we’ve got to do. CHORUS I’ll be the first one in; First one in First one in Last one out. There’ll never be anyone, we can do without. VERSE Staring at a wall of photographs. Wondering how good life has been, since we crossed paths. Then in comes the call. A time to stand tall… I’m running to your rescue. I’m running to your rescue. Saying a prayer. God only knows what we’ve got to do. CHORUS Always, please feel free to SHARE: Masterlink https://unitedmasters.com/m/618c210c833326487c52f547 Apple Music https://music.apple.com/us/album/1st-one-in/1594757323?i=1594757325 Spotify https://open.spotify.com/track/7KjU0zphck15W7VRH92X4k?si=ab7ba75bc8ef41e6 1ST ONE IN.mp3
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Hipno K & OG_The_Storyteller - Coming For Everything (prod. by Hipno K).mp3
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Wide Awake.mp3
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Never Ever Gonna See Me_John Roger Perry_2021_Soul R&B.mp3
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'High / Low' - www.oblivionorchestra.com An indie folk / rock recording that features layers upon layers of the cello, up to twenty or more; strummed, screeched, run through reverbs, knocked on, bowed and manipulated, weaving their way around the stark core of the song. Scene to Scene, the new LP from New York, NY songwriter Josh Allen can be a bit disorienting on first blush. Sheets of buzzing texture shift in and out of focus, while plaintive vocals pierce the veil and plunge straight to the heart of vulnerable humanity. You could call it a concept album, but Oblivion Orchestra’s writer, singer, arranger and only member Allen might bristle at the term. Less a concept and more an act of creative necessity, it is still the case that the only instrument played on the record beyond one guitar and voice is cello. Yet, that one instrument is broken fully out of preconceived notions of its sound. Each track on Scene to Scene features layers upon layers of the cello, sometimes up to twenty or more; strummed, screeched, run through reverbs, knocked on, bowed and manipulated, weaving their way around the stark core of each song. While working as a film composer and sound designer, the cello first came to Allen through a documentary film. ‘I was asked to score a documentary, and when they sent me the temp music, it was all cello” he explains. “I couldn’t play cello, and, because of that, I developed this way of working where I layer different performances together, running the signal through an old guitar amp. Eventually it took on a sound all its own.” Forcing himself to work with these self-imposed constraints proved an inspiration. The layering and listening required in sound design, the way that music and the different textures of ambient sound wrap around the dialogue in a film, has had a profound effect on Allen’s approach to his original music. “I did break the rules a couple of times, though” he admits. “There is an occasional tambourine, or a shaker. On one track two bottles clink together.” Allen recorded the songs quickly, while still brand new to him, sometimes while the ink was still drying on the last lyrics. Written and recorded at his home in Manhattan, Allen began each track by framing out the core of what, arguably, are indie folk tunes. As the cello textures swirled into the mix, the songs began to swing and sway, the focus becoming deeply blurred at times, and then intensely sharpened, sometimes within a single line. Once the tracking was complete, Allen enlisted Alan Weatherhead (MaryTimony, Sparklehorse) to master the record. The process of creating Scene to Scene was both courage and cathartic for Allen, at turns satisfying and stupefying. “Lyrically, I suppose it’s an introspective record, but that introspection can get a bit foggy sometimes” says Allen. “I don’t think I can explain it really. I was thinking about making a record where things come in and out of focus… for the singer, and for the listener. Between being blurry and being clear, or maybe between conscious and unconscious. How would it sound, if the singer himself is trying to find his way among his own stories?” 01 - High - Low.wav
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2-01 Sexy Robot (final).wav
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Mezzanine - The Question Mezzanine - I’m Sorry But I Apologize for Nothing Mezzanine - Strawberry Saccharine Mezzanine was formed in 2020 by five friends who had collectively been performing for over 20 years, just never together! We are actively performing across the Pacific Northwest and are glad to be on stages and in front of audiences again. Our debut EP is called “I’m Sorry But I Apologize for Nothing” and is available now. Thanks for all the continued support and for the listen!
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For those looking for that quality original lyrical Hiphop sound definately go check out this track along with the full mixtape out now on all music platforms at Youngworldibi. Much luv to you all.
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FINALDevil Knows Me Well_M2 9-15-21.mp3
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https://open.spotify.com/track/4yhrGcZddR5wZVDz34X1sI?si=EX2BG7sLT1mx-WqzwmMt_A&dl_branch=1 B Movie final MP3.mp3
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Where do we belong
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- pink floyd
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