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Showing results for tags 'indierock'.
Found 23 results
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11 MIX WINDOW TO THE STAR - MST.mp3 11 MIX WINDOW TO THE STAR - MST.mp3
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Turn me up don’t turn me down?? STEP ItsGravyDoe - Step_Mixed&Mastered.wav
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Wide Awake.mp3
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'High / Low' - www.oblivionorchestra.com An indie folk / rock recording that features layers upon layers of the cello, up to twenty or more; strummed, screeched, run through reverbs, knocked on, bowed and manipulated, weaving their way around the stark core of the song. Scene to Scene, the new LP from New York, NY songwriter Josh Allen can be a bit disorienting on first blush. Sheets of buzzing texture shift in and out of focus, while plaintive vocals pierce the veil and plunge straight to the heart of vulnerable humanity. You could call it a concept album, but Oblivion Orchestra’s writer, singer, arranger and only member Allen might bristle at the term. Less a concept and more an act of creative necessity, it is still the case that the only instrument played on the record beyond one guitar and voice is cello. Yet, that one instrument is broken fully out of preconceived notions of its sound. Each track on Scene to Scene features layers upon layers of the cello, sometimes up to twenty or more; strummed, screeched, run through reverbs, knocked on, bowed and manipulated, weaving their way around the stark core of each song. While working as a film composer and sound designer, the cello first came to Allen through a documentary film. ‘I was asked to score a documentary, and when they sent me the temp music, it was all cello” he explains. “I couldn’t play cello, and, because of that, I developed this way of working where I layer different performances together, running the signal through an old guitar amp. Eventually it took on a sound all its own.” Forcing himself to work with these self-imposed constraints proved an inspiration. The layering and listening required in sound design, the way that music and the different textures of ambient sound wrap around the dialogue in a film, has had a profound effect on Allen’s approach to his original music. “I did break the rules a couple of times, though” he admits. “There is an occasional tambourine, or a shaker. On one track two bottles clink together.” Allen recorded the songs quickly, while still brand new to him, sometimes while the ink was still drying on the last lyrics. Written and recorded at his home in Manhattan, Allen began each track by framing out the core of what, arguably, are indie folk tunes. As the cello textures swirled into the mix, the songs began to swing and sway, the focus becoming deeply blurred at times, and then intensely sharpened, sometimes within a single line. Once the tracking was complete, Allen enlisted Alan Weatherhead (MaryTimony, Sparklehorse) to master the record. The process of creating Scene to Scene was both courage and cathartic for Allen, at turns satisfying and stupefying. “Lyrically, I suppose it’s an introspective record, but that introspection can get a bit foggy sometimes” says Allen. “I don’t think I can explain it really. I was thinking about making a record where things come in and out of focus… for the singer, and for the listener. Between being blurry and being clear, or maybe between conscious and unconscious. How would it sound, if the singer himself is trying to find his way among his own stories?” 01 - High - Low.wav
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https://open.spotify.com/track/4yhrGcZddR5wZVDz34X1sI?si=EX2BG7sLT1mx-WqzwmMt_A&dl_branch=1 B Movie final MP3.mp3
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Where do we belong
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I Need a Holiday_320kbps.mp3
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The Danish/Spanish band NEOSTATIC recorded with Metallica producer Flemming Rasmussen in the Sweet Silence Studios. The source of inspiration for the Danish/Spanish four-piece is slow, groovy and heavy 70s hard rock in the vein of Black Sabbath and Led Zeppelin, yet with clear references to the wave of 90s alternative rock spearheaded by bands like Soundgarden, Deftones, Helmet and Faith No More. https://open.spotify.com/track/4dohk4E652GPa3SMBTNPWK?si=e0169f01ba51498d https://open.spotify.com/artist/6XvNqWs1Vx4c1aJUJ3zgLM?si=gzbwET6gRXmlhkVCFxbWUQ&dl_branch=1 03 Broken Road Mix02.mp3
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https://open.spotify.com/track/1fOOyXHO9lQtCFU6V11C9S?si=ljodpj65QmyvRnnd1wjC5Q&utm_source=copy-link&dl_branch=1
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From New Zealand, Christchurch band The Late Starters latest single Blistered Hills celebrates Christchurch city’s signature Port Hills and their form during traditional hot summers. With a catchy singalong chorus and soaring guitar solo it grabs your attention right from the biting staccato starting riff. With a nod back to the 80s and evident Kiwi influences, their sound has been described as “an enjoyable nostalgic trip into the future." The Late Starters - Blistered Hills (Tagged).mp3
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Jean Cabbie & The Secret Admirer Society is an alternative rock group based in San Juan, Puerto Rico. “Possession”, the band's new single, was recorded and produced by Jean Cabbie & The Secret Admirer Society and Jacob Rodriguez at Back Door Studio and currently promoted at online radio stations, radio shows, podcasts, interviews and live performance. Currently, the band is promoting its new track “Possession” as follow up to the “Breathe”, “Even Close”, “It’s Gonna Be Alright”, “Oh Donna” and “Paper Doll” single releases and look forward to do additional recordings and live shows during the following months. Jean Cabbie & The Secret Admirer Society is comprised of Jean Cabbie (Lead Vocals/Rhythm Guitar), Eric Cabrer (Lead Guitar/Backing Vocals), Jacob Rodriguez (Bass/Backing Vocals) and Marcos Rivera (Drums). JeanCabbie-Possession.mp3
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https://twitter.com/vibetankmusic20?s=09 vibetank.bandcamp.com https://youtube.com/channel/UCoRcJnYH8cNI--8de_0OuXg https://open.spotify.com/artist/7jY1rIv981dgPxsY0XdBdR?si=t1-u8_tvS52H_pDQ3LC9Fg&utm_source=copy-linkl https://www.facebook.com/vibetankmusic https://instagram.com/vibetank2020
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Listen via -> http:// https://ffm.to/axmdmmo BEAUTIFUL ANIMAL …what is it? Can you cuddle it? Is it dangerous? Is it provocative or provoced? Will it lick or bite and does it hurt? Does it carry any contagious disease? YES! It does – and much more! Once discovered upon its natural territory, a mere spectator could start showing strong symptoms of joy or happiness. Some jump up, hit the dance floor, swaying in most ruttish fashion like a moose during the full moon. The others might lean back and enjoy the sonic sphere highlighted by the distinctive, alluring melody. Typically, the contact leaves the victim aroused and satisfied, blurry or fuzzy but eventually brushy and latest field reports adds the affair being mutual between the predator and the prey, very likely to last longer than a night or two. This mixed breed of pop, soul and rock & roll, the BEAUTIFUL ANIMAL is tiptoeing your way from Helsinki, Finland. Keep calm and your eyes peeled! BEAUTIFUL ANIMAL IS VAPPU – lead vocals. The storytelling songbird. JUHIS – guitars, backing vocals. Melody maker, roots in rock bands Underground Attack and Freewheeler. TEEMU – bass and backing vocals. Sound system, Timmy of all tricks; also known from Underground Attack and Freewheeler. VILLE – drums and backing vocals. The DJ and club organiser of the group. His trademark drumming is heard on various records of groups such as Doghouse Band, Joss Cope, Prudence and Underground Attack. Twitter: https://twitter.com/BeautifulAnim17 Instagram: https://www.instagram.com/beautifulanimalband/ Facebook: https://www.facebook.com/beautifulanimalband
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01 VP of Snails.mp3
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1.AMBIANCE (Makin Music).mp3 3.ON THE WAY DOWN AGAIN.mp3 2.SENSUAL HEALING..mp3
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https://open.spotify.com/track/4okJrUXRy7u83JLDtgXkF5?si=BlnD3MG6SwqU1bi7PECnOg https://open.spotify.com/track/2ZGJRkioweld42SML98Xvi?si=0-L7_sVpSh2vRZbILw3NIg2 Way Transmission.WAV https://open.spotify.com/track/2YpK48FKEoAJ64Gw835kPG?si=we61OyTsSQ-tDSwYodyJnw https://open.spotify.com/track/3xqlNpW9mtcjDmfiaPN2nO?si=DCuDgzAHRoW6fyVUbnfglw https://open.spotify.com/track/3KFY1h3kdLLZuzZDkVLeiU?si=DvNintyrTsupMn2fs0MurA https://open.spotify.com/track/2f1oHHkNQvha5AY5KXBfpj?si=CES-Y2WZRGq6AE2trnTGxA
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Pillbox.wav
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Ant-PressRelease (1).pdf
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