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On 2/2/2016 at 9:00 PM, GreenHitz.com said:
After a false start with 50 Cent's G-Unit label, the career of O.T. Genasis truly took off when Busta Rhymes caught the Atlanta-born, Long Beach-raised rapper performing the early-2014 single "Touchdown" not once, not twice, not three times, but four consecutive times for a demanding but rapt crowd. O.T. Genasis subsequently joined Busta's The Conglomerate Entertainment label and signed to parent label Atlantic for distribution. Together they released a version of "Touchdown" with verses from Busta and French Montana. The relatively relaxed follow-up single "CoCo," another ode to dealing cocaine, was released that November and swiftly became a bigger hit. Genasis plans to release his major-label debut album in 2015. ~ Andy Kellman
Follow @otgenasis on twitter!
otgenasis.com
smarturl.it/CutItHidden Content
You'll be able to see the hidden content once you reply to this topic.thanks a lot good track
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5 hours ago, GreenHitz.com said:
A jack of all trades including "the Prince of New York" when he's on the radio, DJ, producer, and mixtape maven, DJ Self broadcasts from both Power 105.1 FM in New York City and the Shade 45 station on satellite. Born and raised in Chicago, the hip-hop DJ landed in many different major markets across America before he joined Power 105.1 FM in N.Y.C., a job he kept even after relocating to Miami. He also began hosting mixtapes in the 2000s, co-headlining tapes from the likes of Evil Empire and French Montana, then in 2013 he released the solo mixtape Expanding My Business. The mixtape was promoted by the single "Yeah OK," which featured Self alongside Kazzie and Rick Ross. ~ David Jeffries, Rovi
Follow @djself on twitter!
Follow @MENacexCOWwa on twitter!http://djselfroyaltyweekend.com
Hidden Content
You'll be able to see the hidden content once you reply to this topic.thank you a million
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Rihanna established her dance-pop credentials in summer 2005 with her debut smash hit, "Pon de Replay," and continued to demonstrate hit potential in subsequent years (e.g., "S.O.S." in 2006; "Umbrella" in 2007; "Disturbia" in 2008). However, it was the singer's third album, Good Girl Gone Bad, that made her a full-fledged international pop star with a regular presence atop the charts. Born Robyn Rihanna Fenty on February 20, 1988, in Saint Michael, Barbados, she exhibited a certain star quality as a young child, often winning beauty and talent contests. Because she lived on the fairly remote island of Barbados in the West Indies, however, she never foresaw the sort of stardom she would later attain.
That stardom came courtesy of a fateful meeting with Evan Rogers. The New Yorker was vacationing in Barbados with his wife, a native of the island, when he was introduced to Rihanna. Rogers had spent years producing pop hits for such superstars as *NSYNC, Christina Aguilera, Jessica Simpson, Kelly Clarkson, Laura Pausini, and Rod Stewart, and he offered the talented Rihanna a chance to record. Along with Rogers' production partner, Carl Sturken (the other half of Syndicated Rhythm Productions), Rihanna recorded several demos that sparked the interest of the Carter Administration — that is, the newly appointed Def Jam president Shawn "Jay-Z" Carter. This led to an audition, and Rihanna both received and accepted an on-the-spot offer to sign with Def Jam.
Come summer 2005, Def Jam rolled out "Pon de Replay," the lively leadoff single from Music of the Sun. Produced almost entirely by Rogers and Sturken, the song synthesized Caribbean rhythms with urban-pop songwriting. "Pon de Replay" caught fire almost immediately, climbing all the way to number two on the Billboard Hot 100 and contesting the half-summer reign of Mariah Carey's "We Belong Together" atop the chart. The debut album spawned one other hit, "If It's Lovin' That You Want," which also broke the Top 40. Rihanna's follow-up effort, A Girl Like Me, saw even greater success and spawned three sizable singles: a chart-topper ("S.O.S.") and two Top Ten hits ("Unfaithful," "Break It Off").
Rihanna's third album, 2007's Good Girl Gone Bad, continued her success while signaling a change of direction. Whereas her past two albums had been imbalanced — often weighed down by faceless balladry and canned Caribbean-isms — Good Girl Gone Bad was a first-rate dance-pop album, stacked with several chart-topping singles and boasting collaborations with Jay-Z, Ne-Yo, Timbaland, and StarGate. The lead single, "Umbrella," shot to number one, as did "Take a Bow" and "Disturbia." Its success turned Rihanna into one of the planet's biggest pop stars.
Rated R was released in 2009 during the wake of a physical altercation with romantic interest Chris Brown, who pleaded guilty to felony assault. The album's lead single, "Russian Roulette" — written with Ne-Yo — was one of the year's most controversial singles, and it set the tone for the singer's new, dark direction. Rated R peaked within the Top Five of the Billboard 200, while another one of its singles, "Rude Boy," topped the Hot 100. Rated R: Remixed was released in the spring of 2010 and featured ten tracks from the album revamped for the dancefloor by Chew Fu.
Loud, Rihanna's fifth studio album, followed in November and was led by the StarGate-produced "Only Girl (In the World)." That song, as well as the follow-up singles "What's My Name?" and "S&M," all topped the Billboard Hot 100. In November 2011, shortly after Loud's "Cheers (Drink to That)" entered the Top Ten, the singer released Talk That Talk. The single "We Found Love" with Calvin Harris earned the top spot in the Hot 100, and the album peaked at number three.
Unapologetic, Rihanna's seventh studio album, featured some of her brashest material and was led by "Diamonds" — her 18th Top Ten single. Unapologetic became her first number one album, and eventually produced further Top Ten hits in "Stay" and "Jump." By the fall of 2013, another record had fallen: her feature on Eminem's "The Monster" helped it hit number one on the pop charts, tying her with Michael Jackson for the most chart-toppers in Billboard chart history. The song won a Grammy Award in the category of Best Rap/Sung Collaboration. In early 2015, Rihanna released "FourFiveSeconds," a stripped-down single featuring the unlikely duo of Kanye West and Paul McCartney. It topped the Hot 100 and was followed by the cruder "Bitch Better Have My Money," which led the way to Anti several months later.
Follow @Rihanna on twitter!
Follow @Drake on twitter!
Thanks much
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One of the biggest hip-hop impresarios ever, Sean Combs — known as Puff Daddy until his professional name change to P. Diddy, then just Diddy — created a multi-million-dollar industry around Bad Boy Entertainment, with recordings by the Notorious B.I.G., Craig Mack, Faith Evans, 112, and Total all produced and masterminded by Combs himself. Responsible for over $100 million in total record sales and named ASCAP's 1996 Songwriter of the Year, Combs was, on the other hand, criticized by many in the hip-hop community for watering down the sound of the underground and also for a perceived over-reliance on samples as practically the sole basis for many of his hits. A very successful A&R executive at Uptown Records during the early '90s responsible for sizable hit records by Father MC, Mary J. Blige, and Jodeci, Combs formed his own Bad Boy label, signed B.I.G., Evans, and Mack, and earned enough hits to cement an alliance with Arista Records. A highly publicized feud with Death Row Records (in which Tupac Shakur and label head Suge Knight served as West Coast/Dark Side equivalents to the Notorious B.I.G. and Combs) was summarily ended in late 1996, when Shakur was murdered and Knight jailed. Six months later, the Notorious B.I.G. was dead as well, and after Combs mourned his friend's death, he hit the pop charts in a big way during his biggest year, 1997.
Born in Harlem in 1969, Sean Combs spent much of his childhood in nearby Mt. Vernon, NY. Already a shrewd businessman through his two paper routes, Combs applied to Howard University in Washington, D.C., and while attending, convinced childhood friend Heavy D to sign him up as an intern at the label for which he recorded, Uptown Records. Several months later, he was an A&R executive with his sights set on the vice presidency, serving as the executive producer for Father MC's 1990 album Father's Day, which became a hit. Successful albums followed for Mary J. Blige (What's the 411?) and Heavy D & the Boyz (Blue Funk) during 1992, though Combs was fired from Uptown by the following year (probably because he was a bit too ambitious).
He worked as a remixer during 1993 and set up Bad Boy Entertainment as his own venture, running the label out of his apartment during long hours with only several employees. After more than a year of hard work, he finally signed two hit artists: former EPMD roadie Craig Mack and the Notorious B.I.G. Mack hit the big time in mid-1994, when a remix of his "Flava in Ya Ear" single (featuring LL Cool J, Busta Rhymes, Rampage, and the Notorious B.I.G.) hit the Top Ten and became the first platinum record for Bad Boy. At the beginning of 1995, B.I.G. notched the second, when his own second hit, "Big Poppa," reached number six on the pop charts. Mack's album Project: Funk da World eventually went gold and the Notorious B.I.G.'s Ready to Die was certified double platinum.
Sean "Puffy" Combs began branching out with Bad Boy during 1995, adding platinum R&B acts Faith Evans and Total (both of whom were connected to B.I.G., Evans as his wife and Total as his former backing vocal group) plus another platinum seller, 112, in 1996. He also produced for many outside artists (including Aretha Franklin, Boyz II Men, Mariah Carey, TLC, SWV, and Lil' Kim) and added two straight-ahead hip-hop acts, Mase and the LOX. By that time, however, Combs and B.I.G. were embroiled in a feud with Death Row Records' head, Suge Knight, and star, Tupac Shakur. Shakur accused Combs of involvement in his 1994 shooting, mocked B.I.G. by saying he had slept with Faith Evans, and threatened the two in the lyrics to his hit song "Hit 'Em Up." (The video for the track featured two characters, P.I.G. and Buffy, who are humiliated in various ways.)
In September 1996, however, Shakur was shot and killed by unknown assailants; just six months later, in March of 1997, B.I.G. himself was killed in the same fashion. Just three weeks later, his second album debuted at number one and was eventually certified six times platinum. The single "Hypnotize" also hit number one and stayed on the charts for months after B.I.G. was killed. Though Combs had been preparing his own solo debut, under the name Puff Daddy, he quit working for several months out of grief for his longtime friend. When he returned in mid-1997, it was with a vengeance, as the single "Can't Nobody Hold Me Down" held the top spot on the singles charts for almost two months. Following quickly behind was another monster number one hit, "I'll Be Missing You," a tender tribute to B.I.G. with Evans providing background vocals.
Combs' subsequent LP as Puff Daddy, No Way Out, shot straight to number one and was certified platinum several times over; in 1998 it won the Grammy Award for Best Rap Album and "I'll Be Missing You" won the award for Best Rap Performance by a Duo or Group. Forever followed in 1999, but the rushed release and lack of any new ideas disappointed fans and dampened sales. On top of that, on April 15 of that year he was accused of severely beating Interscope Records exec Steve Stoute and was brought to court for the incident. Puffy managed to get his sentence trimmed down to second-degree harassment when he finally reached the courts in September, much to his detractors' dismay.
More controversy started brewing when his relationship with singer/actress Jennifer Lopez was made public around the same time. Engagement rumors haunted them for a few months, but the real problems began when they were present at a shooting in a New York City club that December. The couple was brought in for questioning and eventually both faced charges for illegal possession of a firearm. Meanwhile, rapper Shyne was indicted for the incident, but Puffy was not dismissed because of the weapons charge. His trial date for the club shooting was finally set, while October found two new lawsuits facing the rapper. First, his driver sued for three million dollars due to personal injury and stress, followed by a $1.8 million suit from the club owner stemming from poor business following the shooting. Though Lopez initially supported Puffy, she broke off their relationship on Valentine's Day 2001.
A planned gospel album was pushed back to a summer release during the mess, but by March some good news finally hit the Bad Boy camp. Puffy was acquitted of all charges stemming from the club incident, which also snuffed out the civil suits revolving around his involvement in the club situation. In a move sure to spark comparisons with Prince (and not the good kind of comparisons), he announced that he was changing his professional name to P. Diddy at the end of the month, and also predicted a new direction for himself and his label. He recorded a gospel album, Thank You, as well as a new solo album, The Saga Continues, but the former was never released. "Bad Boy for Life" became his biggest hit in years late in the summer, and a collaboration with David Bowie appeared on the Training Day movie soundtrack.
Combs took a serious blow in the spring of 2002 when Arista stopped distributing Bad Boy and took Evans with them. A collection of Bad Boy remixes entitled We Invented the Remix became his last album for Arista. 112 also attempted to jump ship to Def Jam, but a restraining order was filed before the group could make a clean break. It was around this time that Diddy broke into reality television by becoming the focal point of Making the Band 2, and subsequently Making the Band 3 (which birthed the group Danity Kane), Making the Band 4, and Making His Band. Bad Boy was revived during the summer of 2006 through the success of both Yung Joc's "It's Going Down" and Cassie's "Me&U," which helped set the stage for his own star-studded Press Play, released that October. After numerous holdups, Diddy issued his fifth album in December 2010. Co-billed to Dirty Money, his group featuring Kalenna Harper and Danity Kane's Dawn Richard, Last Train to Paris was as heavy on high-profile guest collaborators as the previous Diddy release.
Acting and the launch of a music television channel called Revolt occupied the years 2011-2013, and Combs announced early in 2014 that he was resurrecting the Puff Daddy alias for his fifth album, MMM. The single "Big Homie" premiered in February, featuring Rick Ross and French Montana. ~ John Bush & Bradley Torreano, Rovi
Follow @iamdiddy on twitter!
nice but too bad gay ass diddy on the track
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Migos is an American hip hop group based in Atlanta, Georgia formed with the help of Trap Rapper & CEO Gucci Mane. The group consists of Quavo (real name Quavious Marshall, age 24), Takeoff (real name Kirshnik Ball, age 21), and Offset (real name Kiari Cephus, age 23). Members Quavo and Takeoff are uncle and nephew; Offset is Quavo's cousin. They are best known for their 2013 single "Versace", their 2014 single "Fight Night", and their 2015 single "One Time".
Migos has collaborated with a number of major artists, such as Justin Bieber, Drake, Young Thug, Meek Mill, Gucci Mane, Young Scooter, French Montana, Riff Raff, Trinidad James, Fetty Wap, ASAP Ferg, Future, OG Maco, ILoveMakonnen, Twista, Wiz Khalifa, Travis Scott, B.o.B, Chief Keef, Soulja Boy, OJ da Juiceman, Juicy J, Shy Glizzy, Project Pat, Busta Rhymes, and R. Kelly, among others. They are managed by Coach K, the former manager of Young Jeezy and Gucci Mane, and are frequently collaborating with Bricksquad producer Zaytoven.
Follow @Migos on twitter!
pipe it up.....
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i milly rock on any block.....
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Tommy Borders better known by his stage name Bama Mr 16 Bars and Stacy Jordan better known by his stage name Flo Boy have come together to form the rap duo ONE HUNNIT. Bama is from Union Springs Alabama and has numerous mixtapes under his belt as a solo artist. He has appeared in many articles and opened for many top artists like Fat Joe, Adina Howard, Mike Jones, Marcus Houston, Charlie Boy, T-Pain, and J-Cole. Flo Boy calls Fayetteville, North Carolina home and has several mixtapes out with his prior group BDS Boyz. He has opened for several artists and has performed at Fayetteville State University. Together they have just released the hot new single Curry Sauce and are currently working on their first mixtape as One Hunnit.
Follow @bamamr16bars on twitter!
Follow @floboy84 on twitter!
Follow @one1hunnit on twitter!
good looks.....
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In the span of three short years, Kanye West went from hip-hop beatmaker to worldwide hitmaker, as his stellar production work for Jay-Z led to a major-label recording contract and, ultimately, a wildly successful solo career. West paired his beats with tongue-twisting raps and a self-assured, flamboyant personality. His dapper fashion sense set him apart from many of his rap peers, and his confidence often came across as boastful or even egotistical, albeit amusingly so. This flamboyance, of course, made for good press, something that West enjoyed in spades during his sudden rise to celebrity status. He was a media darling, appearing and performing at countless awards shows (and winning at them, too), delivering theatrical videos to MTV, and mouthing off about whatever happened to cross his mind. He frequently spoke out against the rampant homophobia evident in much rap music, posed for the cover of Rolling Stone as Jesus Christ, and even claimed during a televised Hurricane Katrina fundraiser that "George Bush doesn't care about black people." West courted controversy, no question about it, but his steady presence in the celebrity limelight couldn't eclipse his musical talent. His production abilities seemed boundless during his initial surge of activity, as he not only racked up impressive hits for himself (including "Jesus Walks" and "Gold Digger"), but also collaborated on smash hits with the likes of Jay-Z and Ludacris. As his career progressed throughout the early 21st century, West shattered certain stereotypes about rappers, becoming a superstar on his own terms without adapting his appearance, his rhetoric, or his music to fit any one musical mold.
Coming out of left field (i.e., Chicago, a city rarely praised for its hip-hop exports), West was an unlikely sensation and more than once defied adversity. Like so many others who were initially inspired by Run-D.M.C., he began as just another aspiring rapper with a boundless passion for hip-hop, albeit a rapper with a Midas touch when it came to beatmaking. Indeed, it was his beatmaking prowess that got his foot in the industry door. Though he did quite a bit of noteworthy production work during the late '90s (Jermaine Dupri, Foxy Brown, Mase, Goodie Mob), it was West's work for Roc-a-Fella at the dawn of the new millennium that took his career to the next level. Alongside fellow fresh talent Just Blaze, West became one of the Roc's go-to producers, consistently delivering hot tracks to album after album. His star turn came on Jay-Z's classic Blueprint (2001) with album standouts "Takeover" and "Izzo (H.O.V.A.)." Both songs showcased West's signature beatmaking style of the time, which was largely sample-based; in these cases, the former track appropriated snippets of the Doors' "Five to One," while the latter sampled the Jackson 5's "I Want You Back."
More high-profile productions followed, and before long word spread that West was going to release an album of his own, on which he planned to rap as well as produce. Unfortunately, that album was a long time coming, pushed back and then pushed back again. It didn't help that West was in a tragic car accident in October 2002 that almost cost him his life. He capitalized on the traumatic experience by using it as the inspiration for "Through the Wire" (and its corresponding video), which would later become the lead single for his debut album, 2004's The College Dropout. As the album was continually delayed, West continued to churn out big hits for the likes of Talib Kweli ("Get By"), Ludacris ("Stand Up"), Jay-Z ("'03 Bonnie & Clyde"), and Alicia Keys ("You Don't Know My Name"). Then, just as "Through the Wire" was breaking big-time at the tail end of 2003, another West song caught fire, a collaboration with Twista and comedian/actor Jamie Foxx called "Slow Jamz," which gave the rapper/producer two simultaneously ubiquitous singles and a much-anticipated debut album. As with so many of West's songs, the singles were driven by somewhat recognizable sample-based hooks: Chaka Khan's "Through the Fire" in the case of "Through the Wire," and Luther Vandross' "A House Is Not a Home" in the case of "Slow Jamz."
In the wake of his breakout success, West earned a whopping ten nominations at the 47th annual Grammy Awards, held in early 2005. The College Dropout won the Best Rap Album award, "Jesus Walks" won Best Rap Song, and a songwriting credit on "You Don't Know My Name" for Best R&B Song award was shared with Alicia Keys and Harold Lilly. Later that year, West released his second solo album, Late Registration, which spawned a series of hit singles ("Diamonds in Sierra Leone," "Gold Digger," "Heard 'Em Say," "Touch the Sky"). The album topped the charts, as did the "Gold Digger" single, and Late Registration eventually won a Grammy for Rap Album of the Year. West's production work continued more or less unabated during this time; particularly noteworthy were hits for Twista ("Overnight Celebrity"), Janet Jackson ("I Want You"), Brandy ("Talk About Our Love"), the Game ("Dreams"), Common ("Go!"), and Keyshia Cole ("I Changed My Mind"). West also founded his own label, GOOD Music (i.e., "Getting Out Our Dreams"), in conjunction with Sony BMG. The label's inaugural release was John Legend's Get Lifted (2004), followed one year later by Common's Be. In addition to all of his studio work, West also toured internationally in support of Late Registration and released Late Orchestration: Live at Abbey Road Studios (2006) in commemoration.
After retreating from the spotlight for some time, West returned to the forefront of the music world in 2007 with a series of album releases. Consequence's Don't Quit Your Day Job and Common's Finding Forever, both released by GOOD, were chiefly produced by West; the latter proved to be particularly popular, topping the album chart upon its release in July. And then there was West's third solo album, Graduation, which was promoted well in advance of its September 11 release (a memorable date that pitted Kanye against 50 Cent, who in one interview swore he would quit music if his own album, Curtis, wasn't the top-seller). A pair of singles — "Can't Tell Me Nothing" and "Stronger," the latter an interpolation of Daft Punk's 2001 single "Harder, Better, Faster, Stronger" — led the promotional push. It became his third consecutive chart-topping album, and its success culminated in eight Grammy nominations. West was the victor in four of the categories, and he performed two songs during the ceremony, including Late Registration's "Hey Mama," chosen in honor of his recently deceased mother. That loss, compounded by a breakup with his fiancée, informed 2008's 808s & Heartbreak, a major change of pace that saw West singing most of his emotionally pained lyrics with the assistance of Auto-Tune. As polarizing as it was, it went platinum.
My Beautiful Dark Twisted Fantasy, most of which was recorded in Hawaii and involved guest vocal spots from the likes of Nicki Minaj, Kid Cudi, Rick Ross, and the RZA, was released in November 2010. It was preceded by the bombastic, King Crimson-sampling single "Power." A sprawling and audacious album, MBDTF debuted at number one on the Billboard 200 and also went platinum. While the album was still hot, West recorded the aggressive and boast-heavy Watch the Throne with Jay-Z and numerous producers and songwriters. Billed as a set by the Throne, it was released in August 2011 and entered the Billboard Top 200 chart at number one. In September 2012, he released the GOOD Music collaboration album Cruel Summer, which featured artists such as Big Sean, Pusha T, and Lifted. Four singles ("Mercy," "Cold," "New Flow," and "Clique") were released as promotion for the record. Toward the end of 2012 there were rumblings from acclaimed producers that a new album would emerge soon. These murmurs were soon confirmed when West himself announced that he was working on his sixth album with the likes of Daft Punk, King L., Justin Vernon, Rick Rubin, Chief Keef, and many more contributing. As one of the most eagerly anticipated albums of 2013, Yeezus was released to rapturous reviews from critics. West touched upon controversial and sensitive topics and delivered an astonishing and bold record, described as his most confrontational and bravest album to date. Despite leaking four days early upon its release, Yeezus sold almost 327,000 copies during its first week and the album's first single, "Black Skinhead," was certified gold by mid-October. The year 2013 also proved to be a personal milestone for West, as he became a father for the first time, with partner Kim Kardashian giving birth to a baby girl in June of that year. ~ Jason Birchmeier & Andy Kellman, Rovi
Follow @kanyewest on twitter!
unhide plz.....
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In the span of three short years, Kanye West went from hip-hop beatmaker to worldwide hitmaker, as his stellar production work for Jay-Z led to a major-label recording contract and, ultimately, a wildly successful solo career. West paired his beats with tongue-twisting raps and a self-assured, flamboyant personality. His dapper fashion sense set him apart from many of his rap peers, and his confidence often came across as boastful or even egotistical, albeit amusingly so. This flamboyance, of course, made for good press, something that West enjoyed in spades during his sudden rise to celebrity status. He was a media darling, appearing and performing at countless awards shows (and winning at them, too), delivering theatrical videos to MTV, and mouthing off about whatever happened to cross his mind. He frequently spoke out against the rampant homophobia evident in much rap music, posed for the cover of Rolling Stone as Jesus Christ, and even claimed during a televised Hurricane Katrina fundraiser that "George Bush doesn't care about black people." West courted controversy, no question about it, but his steady presence in the celebrity limelight couldn't eclipse his musical talent. His production abilities seemed boundless during his initial surge of activity, as he not only racked up impressive hits for himself (including "Jesus Walks" and "Gold Digger"), but also collaborated on smash hits with the likes of Jay-Z and Ludacris. As his career progressed throughout the early 21st century, West shattered certain stereotypes about rappers, becoming a superstar on his own terms without adapting his appearance, his rhetoric, or his music to fit any one musical mold. Coming out of left field (i.e., Chicago, a city rarely praised for its hip-hop exports), West was an unlikely sensation and more than once defied adversity. Like so many others who were initially inspired by Run-D.M.C., he began as just another aspiring rapper with a boundless passion for hip-hop, albeit a rapper with a Midas touch when it came to beatmaking. Indeed, it was his beatmaking prowess that got his foot in the industry door. Though he did quite a bit of noteworthy production work during the late '90s (Jermaine Dupri, Foxy Brown, Mase, Goodie Mob), it was West's work for Roc-a-Fella at the dawn of the new millennium that took his career to the next level. Alongside fellow fresh talent Just Blaze, West became one of the Roc's go-to producers, consistently delivering hot tracks to album after album. His star turn came on Jay-Z's classic Blueprint (2001) with album standouts "Takeover" and "Izzo (H.O.V.A.)." Both songs showcased West's signature beatmaking style of the time, which was largely sample-based; in these cases, the former track appropriated snippets of the Doors' "Five to One," while the latter sampled the Jackson 5's "I Want You Back." More high-profile productions followed, and before long word spread that West was going to release an album of his own, on which he planned to rap as well as produce. Unfortunately, that album was a long time coming, pushed back and then pushed back again. It didn't help that West was in a tragic car accident in October 2002 that almost cost him his life. He capitalized on the traumatic experience by using it as the inspiration for "Through the Wire" (and its corresponding video), which would later become the lead single for his debut album, 2004's The College Dropout. As the album was continually delayed, West continued to churn out big hits for the likes of Talib Kweli ("Get By"), Ludacris ("Stand Up"), Jay-Z ("'03 Bonnie & Clyde"), and Alicia Keys ("You Don't Know My Name"). Then, just as "Through the Wire" was breaking big-time at the tail end of 2003, another West song caught fire, a collaboration with Twista and comedian/actor Jamie Foxx called "Slow Jamz," which gave the rapper/producer two simultaneously ubiquitous singles and a much-anticipated debut album. As with so many of West's songs, the singles were driven by somewhat recognizable sample-based hooks: Chaka Khan's "Through the Fire" in the case of "Through the Wire," and Luther Vandross' "A House Is Not a Home" in the case of "Slow Jamz." In the wake of his breakout success, West earned a whopping ten nominations at the 47th annual Grammy Awards, held in early 2005. The College Dropout won the Best Rap Album award, "Jesus Walks" won Best Rap Song, and a songwriting credit on "You Don't Know My Name" for Best R&B Song award was shared with Alicia Keys and Harold Lilly. Later that year, West released his second solo album, Late Registration, which spawned a series of hit singles ("Diamonds in Sierra Leone," "Gold Digger," "Heard 'Em Say," "Touch the Sky"). The album topped the charts, as did the "Gold Digger" single, and Late Registration eventually won a Grammy for Rap Album of the Year. West's production work continued more or less unabated during this time; particularly noteworthy were hits for Twista ("Overnight Celebrity"), Janet Jackson ("I Want You"), Brandy ("Talk About Our Love"), the Game ("Dreams"), Common ("Go!"), and Keyshia Cole ("I Changed My Mind"). West also founded his own label, GOOD Music (i.e., "Getting Out Our Dreams"), in conjunction with Sony BMG. The label's inaugural release was John Legend's Get Lifted (2004), followed one year later by Common's Be. In addition to all of his studio work, West also toured internationally in support of Late Registration and released Late Orchestration: Live at Abbey Road Studios (2006) in commemoration. After retreating from the spotlight for some time, West returned to the forefront of the music world in 2007 with a series of album releases. Consequence's Don't Quit Your Day Job and Common's Finding Forever, both released by GOOD, were chiefly produced by West; the latter proved to be particularly popular, topping the album chart upon its release in July. And then there was West's third solo album, Graduation, which was promoted well in advance of its September 11 release (a memorable date that pitted Kanye against 50 Cent, who in one interview swore he would quit music if his own album, Curtis, wasn't the top-seller). A pair of singles -- "Can't Tell Me Nothing" and "Stronger," the latter an interpolation of Daft Punk's 2001 single "Harder, Better, Faster, Stronger" -- led the promotional push. It became his third consecutive chart-topping album, and its success culminated in eight Grammy nominations. West was the victor in four of the categories, and he performed two songs during the ceremony, including Late Registration's "Hey Mama," chosen in honor of his recently deceased mother. That loss, compounded by a breakup with his fiancée, informed 2008's 808s & Heartbreak, a major change of pace that saw West singing most of his emotionally pained lyrics with the assistance of Auto-Tune. As polarizing as it was, it went platinum. My Beautiful Dark Twisted Fantasy, most of which was recorded in Hawaii and involved guest vocal spots from the likes of Nicki Minaj, Kid Cudi, Rick Ross, and the RZA, was released in November 2010. It was preceded by the bombastic, King Crimson-sampling single "Power." A sprawling and audacious album, MBDTF debuted at number one on the Billboard 200 and also went platinum. While the album was still hot, West recorded the aggressive and boast-heavy Watch the Throne with Jay-Z and numerous producers and songwriters. Billed as a set by the Throne, it was released in August 2011 and entered the Billboard Top 200 chart at number one. In September 2012, he released the GOOD Music collaboration album Cruel Summer, which featured artists such as Big Sean, Pusha T, and Lifted. Four singles ("Mercy," "Cold," "New Flow," and "Clique") were released as promotion for the record. Toward the end of 2012 there were rumblings from acclaimed producers that a new album would emerge soon. These murmurs were soon confirmed when West himself announced that he was working on his sixth album with the likes of Daft Punk, King L., Justin Vernon, Rick Rubin, Chief Keef, and many more contributing. As one of the most eagerly anticipated albums of 2013, Yeezus was released to rapturous reviews from critics. West touched upon controversial and sensitive topics and delivered an astonishing and bold record, described as his most confrontational and bravest album to date. Despite leaking four days early upon its release, Yeezus sold almost 327,000 copies during its first week and the album's first single, "Black Skinhead," was certified gold by mid-October. The year 2013 also proved to be a personal milestone for West, as he became a father for the first time, with partner Kim Kardashian giving birth to a baby girl in June of that year. ~ Jason Birchmeier & Andy Kellman
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Tramar Lacel Dillard (born December 16, 1979), better known by his stage name Flo Rida (pronounced /floʊ ˈraɪdə/), is an American rapper and singer-songwriter. He is known for hit songs such as "Low", featuring T-Pain, which was a number 1 hit for ten weeks in the United States in 2008, and "Right Round", featuring Kesha, which was a number 1 hit for six weeks; both songs broke the record for digital download sales when they were released. Other international hit singles he has had include "Club Can't Handle Me", "Good Feeling", "Wild Ones" and "Whistle". He has frequently collaborated with other artists, both on his and others' tracks. Hit songs by other artists on which he has appeared include "Running Back" by Jessica Mauboy, "Bad Boys" by Alexandra Burke, and "Troublemaker" by Olly Murs.
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