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On 5/15/2015 at 2:30 PM, GreenHitz.com said:
Janelle Monáe Robinson (born December 1, 1985), known as Janelle Monáe (/dʒəˈnɛl moʊˈneɪ/), is an American psychedelic soul and R&B singer, songwriter, composer, and record producer signed to Bad Boy Records, Wondaland Art Society and Atlantic Records. After making a mark with her first unofficial studio album, The Audition CD release, Monáe debuted publicly with a conceptual EP: Metropolis: Suite I (The Chase), which peaked at number 115 on the Billboard 200 in the United States.
In 2010 Monáe released her first full-length studio album, The ArchAndroid, a concept album sequel to her first EP; it was released by Bad Boy Records. This album received critical acclaim and garnered a Best Contemporary R&B Album nomination at the 53rd Annual Grammy Awards. The song "Tightrope" was also nominated for Best Urban/Alternative Performance at the same ceremony. With this industry recognition the album has also been more successful commercially, officially reaching the number 17 spot on the Billboard 200.
Her music has garnered Monáe six Grammy Award nominations. In March 2012, "We Are Young," the song by the band Fun. on which Monáe appears as a guest vocalist, reached number 1 on the Billboard Hot 100 chart, her first appearance in the US Top 10. In August 2012, Monáe became a CoverGirl spokeswoman. On September 10, 2013, Monáe released her second studio album, The Electric Lady, to critical acclaim. Boston City Council named October 16, 2013 "Janelle Monáe Day" in the city of Boston, Massachusetts in recognition of her artistry and social leadership.
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Follow @Jidenna on twitter!
es
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On 10/1/2014 at 4:13 PM, GreenHitz.com said:
Usher Raymond IV (born October 14, 1978) is an American singer, songwriter, dancer, and actor. He rose to fame in the late 1990s with the release of his second album My Way, which spawned his first U.S. Billboard Hot 100 number-one hit, "Nice & Slow". The album has been certified 6-times platinum by the Recording Industry Association of America (RIAA). His follow-up album, 8701, produced the Billboard Hot 100 number one hits "U Remind Me" and "U Got It Bad".
Usher's 2004 album, Confessions, established him as one of the best-selling musical artist of the 2000s decade. It sold over 20 million copies worldwide, bolstered by its four consecutive Billboard Hot 100 number one hits — "Yeah!", "Burn", "Confessions Part II", and "My Boo" — and has been certified diamond by the RIAA. His follow-ups, Here I Stand (2008) and Raymond v. Raymond (2010), debuted atop the Billboard 200 and produced the Billboard Hot 100 number-one singles "Love in This Club" and "OMG". A follow-up EP, Versus, was released in July 2010 and produced the successful track "DJ Got Us Fallin' in Love". His seventh studio album, Looking 4 Myself (2012), contained a more dance-pop sound and experienced lower first week sales compared to his previous efforts.
The RIAA ranks Usher as one of the best-selling artists in American music history, having sold over 23 million copies in the United States alone. To date, he has sold over 65 million records worldwide, making him one of the best selling music artists of all time. Usher has won numerous awards including eight Grammy Awards. At the end of 2009, Usher was named the number one Hot 100 artist of the 2000s decade. Billboard named him the second most successful artist of the 2000s decade, with his 2004 album Confessions being ranked as the top solo album of the 2000s decade. Billboard also placed Usher at number six on their list of Top 50 R&B/Hip-Hop Artists of the Past 25 Years. Usher has attained nine Hot 100 number-one hits (all as a lead artist) and has attained eighteen Hot 100 top-ten hits.
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http://instagram.com/howuseeitdddd
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On 1/25/2016 at 1:46 PM, GreenHitz.com said:
Follow @RoJamesXIX on twitter!
gfd
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On 7/5/2016 at 2:15 PM, GreenHitz.com said:
Bryson Djuan Tiller (born January 2, 1993) is an American singer, songwriter and rapper from Louisville, Kentucky. His debut studio album, T R A P S O U L, was released on October 2, 2015.
Follow @brysontiller on twitter!
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On 10/17/2016 at 2:02 PM, GreenHitz.com said:
Robyn Rihanna Fenty is a Barbadian singer and songwriter. Born in Saint Michael and raised in Bridgetown, she first entered the music industry by recording demo tapes under the direction of record producer Evan Rogers in 2003.
Follow @rihanna on twitter!
RihannaNow.com
Get #ANTI now: http://smarturl.it/daANTIHidden Content
DJs must leave feedback to access download link(s).On 10/17/2016 at 2:02 PM, GreenHitz.com said:Robyn Rihanna Fenty is a Barbadian singer and songwriter. Born in Saint Michael and raised in Bridgetown, she first entered the music industry by recording demo tapes under the direction of record producer Evan Rogers in 2003.
Follow @rihanna on twitter!
RihannaNow.com
Get #ANTI now: http://smarturl.it/daANTIHidden Content
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On 9/19/2016 at 6:49 PM, GreenHitz.com said:
Usher Raymond IV is an American singer, songwriter, dancer, and actor. Born in Dallas, Texas but raised and lived in Chattanooga, Tennessee until moving to Atlanta, Georgia.
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On 9/29/2016 at 11:43 AM, GreenHitz.com said:
Brandon Rossi is quickly emerging as a multi-talent to keep an eye on. He's a rapper, singer, songwriter and producer. He already has a publishing deal with Jay-Z's Roc Nation imprint, he is featured on the new T.I. record "40 Acres" where he appears on the first verse and the chorus along side Tip and Killer Mike and now he has his first buzz record "Dumb" available for stream and download on SoundCloud.
Shout out to the Websites and Blogs that have showed early love. Click the links for the stories!
Follow @LXRDROSSI on twitter!
@LXRDROSSI
https://soundcloud.com/futurestarmusic/brandon-rossi-dumbHidden Content
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On 9/26/2016 at 0:28 PM, GreenHitz.com said:
Ronnie James Tucker Was born November 19, 1992 is an American singer-songwriter. He is best known for his single "Permission", which reached number 37 on the US Hot R&B/Hip-Hop Songs chart.
Follow @RoJamesXIX on twitter!
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On 8/22/2016 at 6:04 PM, GreenHitz.com said:
Mila J fancied her musical styling in the same light as her singing and rapping idols TLC and Missy Elliott. Add to her singing and rapping combo her passion for dancing and ability to write song lyrics, and it seemed apparent that this Los Angeles native aimed to achieve the same level of acclaim and prosperity as those same pop icons of hers. Born of black, Japanese, and Native American descent, Mila J (real name Jamila Chilumbo) started rapping, according to the singer, at the age of four, inspired by a deep admiration for the Fat Boys and the '80s cult hip-hop movie Krush Groove. Because her father was a studio musician, the music bug was in the rest of her family as well, namely her sisters Jhené and Miyoko. Her break into the music industry occurred at the age of nine when she met the owner and CEO of The Ultimate Group, Chris Stokes, at a video shoot for his group Immature; in addition, she also caught Stokes' attention with her appearance in Prince's "Diamond and Pearls" video in 1991. Mila J went on to dance professionally for Stokes and Immature between the ages of 12 and 15. Along with Miyoko, she was a member of the Stokes-driven Gyrl, who released singles for Silas/MCA. Several years later, she was part of the shorter-lived Dame Four, yet another Stokes venture. She then went solo. Her petite vocals could be heard on the 2006 singles "Complete" and the charting "Good Lookin' Out," which built up anticipation for her debut album, Split Personality, which was scheduled for release on Universal Motown but was ultimately shelved. After going by the name Japollonia, she reappeared on Motown as Mila J with the 2014 single "Smoke, Drink, Break-Up." ~ Cyril Cordor
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On 9/30/2016 at 4:34 PM, GreenHitz.com said:
B. Jones(B dot Jones) Singer/Songwriter from Cleveland, Ohio.
Follow @bd0tjonez on twitter!
Instagram: ibenfrank
SoundCloud: ibenfrankHidden Content
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On 9/16/2016 at 8:53 PM, GreenHitz.com said:
Songwriter and vocalist Amber Streeter (aka Ambee, Se7en, Sevyn) was the first member of TG4, a pop-R&B outfit put together by Chris Stokes (Immature, B2K). In 2002, the group released a single, "Virginity," that reached number 88 on Billboard's Hot R&B/Hip-Hop Singles & Tracks chart. An album was recorded and shelved, and the group split. Streeter caught the attention of producer Rich Harrison (Amerie, Beyoncé), who asked her to join RichGirl, yet another group that released one minor hit ("24's") and recorded a shelved album. Once that group dissolved, Streeter established herself as a songwriter for Chris Brown (including "Yeah 3X," "Wet the Bed," and "Strip"), Kelly Rowland ("Keep It Between Us"), Estelle ("International"), Brandy ("Slower"), and Alicia Keys ("New Day" and "Limitedless"). She signed to Atlantic as a solo artist and released her first single, "I Like It," in October 2012. "It Won't Stop," featuring Chris Brown and co-production from Diplo, followed in May 2013. The song was included on the seven-track EP Call Me Crazy, But..., which was issued that December. ~ Andy Kellman
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On 10/10/2016 at 4:31 PM, GreenHitz.com said:
After working a string of behind-the-scenes jobs -- including writing songs for Brandy, singing backup for the Sugababes, and impersonating Elvis -- songwriter/producer Bruno Mars put his name on top of the charts in 2009 by co-writing Flo Rida's hit song "Right Round." One year later, he collaborated with rapper B.o.B on “Nothin’ on You,” and co-wrote Travie McCoy's "Billionaire," both of which became Top Ten hits. Mars used that momentum to launch a solo career, quickly becoming the first male vocalist in two decades to crack the Top Ten with his first four singles. Born Peter Hernandez in Honolulu, Hawaii, Mars kicked off his career at the age of four by fronting his uncle’s band, becoming Oahu's youngest Elvis impersonator in the process. Ten years later, he was impersonating the King of Pop, Michael Jackson, as part of the Legends in Concert show. After graduating high school in 2003, he took his uncle's advice and moved to California to pursue a music career. After months of frustration, he met songwriter Phillip Lawrence, who convinced Mars to try his hand at writing songs for other artists. The two dubbed themselves the Smeezingtons and co-wrote “Long Distance,” which was recorded in 2008 by R&B singer Brandy. More offers arrived after that, and Mars and Lawrence scored their first number one hit in 2009, when they co-authored Flo Rida's international smash "Right Round." By 2010, Mars seemed to be everywhere: singing alongside B.o.B on the chart-topping "Nothin' on You," co-writing Travie McCoy's "Billionaire," and collaborating with Cee-Lo Green on the Grammy-nominated hit "F*ck You!" He also began issuing his own material, starting with the May 2010 release of his first EP, It's Better If You Don't Understand. Doo-Wops & Hooligans, Mars' full-length debut, appeared later that year and quickly produced a number one single, "Just the Way You Are." In 2012, Mars both hosted and performed as a musical guest on Saturday Night Live, debuting tracks from his upcoming album. That album, the genre-jumping effort Unorthodox Jukebox, was released that same year, and featured the lead-off single "Locked Out of Heaven," along with production from Mark Ronson, Diplo, and others. "Locked Out of Heaven" topped the pop charts, and the album reached number two in the U.S. (The second single, "When I Was Your Man," also hit number one.) All that success made Mars a natural for one of the world's most prestigious gigs, the halftime show for Super Bowl XLVIII in February 2014, where he performed with Red Hot Chili Peppers as a musical guest and drew record ratings. Also in 2014, Unorthodox Jukebox won a Grammy Award for Best Pop Vocal Album. The following year, he fronted Mark Ronson's "Uptown Funk," a song he co-wrote that was among the most popular singles of that year. ~ David Jeffries & Andrew Leahey
Follow @BrunoMars on twitter!
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On 10/10/2016 at 4:11 PM, GreenHitz.com said:
When her debut album, What's the 411?, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of Mary J. Blige's Yonkers, New York childhood. Called alternately the new Chaka Khan or new Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots, Blige was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcized her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album, Mary, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album, No More Drama, it wasn't just Blige's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come. Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by Blige's stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige's voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no female singer had before. Uptown tried to capitalize on the success of What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially. Her 1995 follow-up, My Life, again featured Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of ghetto pathos and Blige's own personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA. Released in 1997, Share My World marked the beginning of Blige's creative partnerships with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard charts. Critics soured somewhat on its more conventional soul sound, but Blige's fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto-fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained. That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige's songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year's patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months. A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1), previewed through the Eric Hudson-produced single "25/8," followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes. Like her previous nine studio albums, it reached gold status. (Her first eight surpassed gold to reach either platinum or multi-platinum status.) Her first holiday album, A Mary Christmas, was released in 2013. Early in 2014, she linked with Disclosure for an alternate version of the U.K. dance-production duo's single "F for You." A few months later, Blige -- supported by extensive assistance from the-Dream and Christopher "Tricky" Stewart, as well as a few other associates -- provided the soundtrack to the comedy Think Like a Man Too. It entered the Billboard Top 200 at number 30 and also reached the Top Ten on Billboard's R&B/Hip Hop Albums chart. Released on Epic, rather than on her home label, it didn't receive the typical level of promotion for a Blige album and, as a result, sold significantly less than her prior releases. Inspired by Disclosure and other genre-blurring singer/songwriters and producers who were emerging from the U.K., she recorded her 13th album in London that summer with the likes of Sam Smith, Naughty Boy, and Emeli Sandé, as well as Disclosure once more. The London Sessions, her first album for Capitol, was released that November. ~ Stacia Proefrock
Follow @maryjblige on twitter!
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On 10/10/2016 at 4:11 PM, GreenHitz.com said:When her debut album, What's the 411?, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of Mary J. Blige's Yonkers, New York childhood. Called alternately the new Chaka Khan or new Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots, Blige was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcized her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album, Mary, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album, No More Drama, it wasn't just Blige's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come. Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by Blige's stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige's voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no female singer had before. Uptown tried to capitalize on the success of What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially. Her 1995 follow-up, My Life, again featured Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of ghetto pathos and Blige's own personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA. Released in 1997, Share My World marked the beginning of Blige's creative partnerships with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard charts. Critics soured somewhat on its more conventional soul sound, but Blige's fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto-fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained. That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige's songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year's patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months. A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1), previewed through the Eric Hudson-produced single "25/8," followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes. Like her previous nine studio albums, it reached gold status. (Her first eight surpassed gold to reach either platinum or multi-platinum status.) Her first holiday album, A Mary Christmas, was released in 2013. Early in 2014, she linked with Disclosure for an alternate version of the U.K. dance-production duo's single "F for You." A few months later, Blige -- supported by extensive assistance from the-Dream and Christopher "Tricky" Stewart, as well as a few other associates -- provided the soundtrack to the comedy Think Like a Man Too. It entered the Billboard Top 200 at number 30 and also reached the Top Ten on Billboard's R&B/Hip Hop Albums chart. Released on Epic, rather than on her home label, it didn't receive the typical level of promotion for a Blige album and, as a result, sold significantly less than her prior releases. Inspired by Disclosure and other genre-blurring singer/songwriters and producers who were emerging from the U.K., she recorded her 13th album in London that summer with the likes of Sam Smith, Naughty Boy, and Emeli Sandé, as well as Disclosure once more. The London Sessions, her first album for Capitol, was released that November. ~ Stacia Proefrock
Follow @maryjblige on twitter!
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On 1/14/2016 at 1:22 PM, GreenHitz.com said:
In the span of three short years, Kanye West went from hip-hop beatmaker to worldwide hitmaker, as his stellar production work for Jay-Z led to a major-label recording contract and, ultimately, a wildly successful solo career. West paired his beats with tongue-twisting raps and a self-assured, flamboyant personality. His dapper fashion sense set him apart from many of his rap peers, and his confidence often came across as boastful or even egotistical, albeit amusingly so. This flamboyance, of course, made for good press, something that West enjoyed in spades during his sudden rise to celebrity status. He was a media darling, appearing and performing at countless awards shows (and winning at them, too), delivering theatrical videos to MTV, and mouthing off about whatever happened to cross his mind. He frequently spoke out against the rampant homophobia evident in much rap music, posed for the cover of Rolling Stone as Jesus Christ, and even claimed during a televised Hurricane Katrina fundraiser that "George Bush doesn't care about black people." West courted controversy, no question about it, but his steady presence in the celebrity limelight couldn't eclipse his musical talent. His production abilities seemed boundless during his initial surge of activity, as he not only racked up impressive hits for himself (including "Jesus Walks" and "Gold Digger"), but also collaborated on smash hits with the likes of Jay-Z and Ludacris. As his career progressed throughout the early 21st century, West shattered certain stereotypes about rappers, becoming a superstar on his own terms without adapting his appearance, his rhetoric, or his music to fit any one musical mold.
Coming out of left field (i.e., Chicago, a city rarely praised for its hip-hop exports), West was an unlikely sensation and more than once defied adversity. Like so many others who were initially inspired by Run-D.M.C., he began as just another aspiring rapper with a boundless passion for hip-hop, albeit a rapper with a Midas touch when it came to beatmaking. Indeed, it was his beatmaking prowess that got his foot in the industry door. Though he did quite a bit of noteworthy production work during the late '90s (Jermaine Dupri, Foxy Brown, Mase, Goodie Mob), it was West's work for Roc-a-Fella at the dawn of the new millennium that took his career to the next level. Alongside fellow fresh talent Just Blaze, West became one of the Roc's go-to producers, consistently delivering hot tracks to album after album. His star turn came on Jay-Z's classic Blueprint (2001) with album standouts "Takeover" and "Izzo (H.O.V.A.)." Both songs showcased West's signature beatmaking style of the time, which was largely sample-based; in these cases, the former track appropriated snippets of the Doors' "Five to One," while the latter sampled the Jackson 5's "I Want You Back."
More high-profile productions followed, and before long word spread that West was going to release an album of his own, on which he planned to rap as well as produce. Unfortunately, that album was a long time coming, pushed back and then pushed back again. It didn't help that West was in a tragic car accident in October 2002 that almost cost him his life. He capitalized on the traumatic experience by using it as the inspiration for "Through the Wire" (and its corresponding video), which would later become the lead single for his debut album, 2004's The College Dropout. As the album was continually delayed, West continued to churn out big hits for the likes of Talib Kweli ("Get By"), Ludacris ("Stand Up"), Jay-Z ("'03 Bonnie & Clyde"), and Alicia Keys ("You Don't Know My Name"). Then, just as "Through the Wire" was breaking big-time at the tail end of 2003, another West song caught fire, a collaboration with Twista and comedian/actor Jamie Foxx called "Slow Jamz," which gave the rapper/producer two simultaneously ubiquitous singles and a much-anticipated debut album. As with so many of West's songs, the singles were driven by somewhat recognizable sample-based hooks: Chaka Khan's "Through the Fire" in the case of "Through the Wire," and Luther Vandross' "A House Is Not a Home" in the case of "Slow Jamz."
In the wake of his breakout success, West earned a whopping ten nominations at the 47th annual Grammy Awards, held in early 2005. The College Dropout won the Best Rap Album award, "Jesus Walks" won Best Rap Song, and a songwriting credit on "You Don't Know My Name" for Best R&B Song award was shared with Alicia Keys and Harold Lilly. Later that year, West released his second solo album, Late Registration, which spawned a series of hit singles ("Diamonds in Sierra Leone," "Gold Digger," "Heard 'Em Say," "Touch the Sky"). The album topped the charts, as did the "Gold Digger" single, and Late Registration eventually won a Grammy for Rap Album of the Year. West's production work continued more or less unabated during this time; particularly noteworthy were hits for Twista ("Overnight Celebrity"), Janet Jackson ("I Want You"), Brandy ("Talk About Our Love"), the Game ("Dreams"), Common ("Go!"), and Keyshia Cole ("I Changed My Mind"). West also founded his own label, GOOD Music (i.e., "Getting Out Our Dreams"), in conjunction with Sony BMG. The label's inaugural release was John Legend's Get Lifted (2004), followed one year later by Common's Be. In addition to all of his studio work, West also toured internationally in support of Late Registration and released Late Orchestration: Live at Abbey Road Studios (2006) in commemoration.
After retreating from the spotlight for some time, West returned to the forefront of the music world in 2007 with a series of album releases. Consequence's Don't Quit Your Day Job and Common's Finding Forever, both released by GOOD, were chiefly produced by West; the latter proved to be particularly popular, topping the album chart upon its release in July. And then there was West's third solo album, Graduation, which was promoted well in advance of its September 11 release (a memorable date that pitted Kanye against 50 Cent, who in one interview swore he would quit music if his own album, Curtis, wasn't the top-seller). A pair of singles — "Can't Tell Me Nothing" and "Stronger," the latter an interpolation of Daft Punk's 2001 single "Harder, Better, Faster, Stronger" — led the promotional push. It became his third consecutive chart-topping album, and its success culminated in eight Grammy nominations. West was the victor in four of the categories, and he performed two songs during the ceremony, including Late Registration's "Hey Mama," chosen in honor of his recently deceased mother. That loss, compounded by a breakup with his fiancée, informed 2008's 808s & Heartbreak, a major change of pace that saw West singing most of his emotionally pained lyrics with the assistance of Auto-Tune. As polarizing as it was, it went platinum.
My Beautiful Dark Twisted Fantasy, most of which was recorded in Hawaii and involved guest vocal spots from the likes of Nicki Minaj, Kid Cudi, Rick Ross, and the RZA, was released in November 2010. It was preceded by the bombastic, King Crimson-sampling single "Power." A sprawling and audacious album, MBDTF debuted at number one on the Billboard 200 and also went platinum. While the album was still hot, West recorded the aggressive and boast-heavy Watch the Throne with Jay-Z and numerous producers and songwriters. Billed as a set by the Throne, it was released in August 2011 and entered the Billboard Top 200 chart at number one. In September 2012, he released the GOOD Music collaboration album Cruel Summer, which featured artists such as Big Sean, Pusha T, and Lifted. Four singles ("Mercy," "Cold," "New Flow," and "Clique") were released as promotion for the record. Toward the end of 2012 there were rumblings from acclaimed producers that a new album would emerge soon. These murmurs were soon confirmed when West himself announced that he was working on his sixth album with the likes of Daft Punk, King L., Justin Vernon, Rick Rubin, Chief Keef, and many more contributing. As one of the most eagerly anticipated albums of 2013, Yeezus was released to rapturous reviews from critics. West touched upon controversial and sensitive topics and delivered an astonishing and bold record, described as his most confrontational and bravest album to date. Despite leaking four days early upon its release, Yeezus sold almost 327,000 copies during its first week and the album's first single, "Black Skinhead," was certified gold by mid-October. The year 2013 also proved to be a personal milestone for West, as he became a father for the first time, with partner Kim Kardashian giving birth to a baby girl in June of that year. ~ Jason Birchmeier & Andy Kellman, Rovi
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On 1/25/2016 at 1:39 PM, GreenHitz.com said:
A Los Angeles-based singer, songwriter, and producer who plays many instruments, Ty Dolla $ign (born Tyrone Griffin) collaborated with YG on the 2010 single "Toot It and Boot It," then became increasingly busy through an assortment of productions, co-writing credits, and guest spots. After working with the likes of YG, Pac Div, Joe Moses, and Young Maestro, Ty released his first mixtape, House on the Hill. After a handful of additional mixtape releases, he released his first official singles through the Atlantic label: "My Cabana" (featuring Young Jeezy), "Irie" (featuring Wiz Khalifa), and "Paranoid" (featuring B.o.
. His Beach House EP landed in 2014 featuring production from DJ Mustard, Young Chop, and others. Appearances on Chris Brown and Tyga's Fan of a Fan: The Album and Big Sean's Dark Sky Paradise followed, then his hit single "Blase" landed in 2015, featuring Rae Sremmurd and Future. Debut album Free TC was also released that year, with a varied guest list that included Babyface, E-40, and Wiz Khalifa.
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On 1/27/2016 at 11:45 AM, GreenHitz.com said:
Rihanna established her dance-pop credentials in summer 2005 with her debut smash hit, "Pon de Replay," and continued to demonstrate hit potential in subsequent years (e.g., "S.O.S." in 2006; "Umbrella" in 2007; "Disturbia" in 2008). However, it was the singer's third album, Good Girl Gone Bad, that made her a full-fledged international pop star with a regular presence atop the charts. Born Robyn Rihanna Fenty on February 20, 1988, in Saint Michael, Barbados, she exhibited a certain star quality as a young child, often winning beauty and talent contests. Because she lived on the fairly remote island of Barbados in the West Indies, however, she never foresaw the sort of stardom she would later attain.
That stardom came courtesy of a fateful meeting with Evan Rogers. The New Yorker was vacationing in Barbados with his wife, a native of the island, when he was introduced to Rihanna. Rogers had spent years producing pop hits for such superstars as *NSYNC, Christina Aguilera, Jessica Simpson, Kelly Clarkson, Laura Pausini, and Rod Stewart, and he offered the talented Rihanna a chance to record. Along with Rogers' production partner, Carl Sturken (the other half of Syndicated Rhythm Productions), Rihanna recorded several demos that sparked the interest of the Carter Administration — that is, the newly appointed Def Jam president Shawn "Jay-Z" Carter. This led to an audition, and Rihanna both received and accepted an on-the-spot offer to sign with Def Jam.
Come summer 2005, Def Jam rolled out "Pon de Replay," the lively leadoff single from Music of the Sun. Produced almost entirely by Rogers and Sturken, the song synthesized Caribbean rhythms with urban-pop songwriting. "Pon de Replay" caught fire almost immediately, climbing all the way to number two on the Billboard Hot 100 and contesting the half-summer reign of Mariah Carey's "We Belong Together" atop the chart. The debut album spawned one other hit, "If It's Lovin' That You Want," which also broke the Top 40. Rihanna's follow-up effort, A Girl Like Me, saw even greater success and spawned three sizable singles: a chart-topper ("S.O.S.") and two Top Ten hits ("Unfaithful," "Break It Off").
Rihanna's third album, 2007's Good Girl Gone Bad, continued her success while signaling a change of direction. Whereas her past two albums had been imbalanced — often weighed down by faceless balladry and canned Caribbean-isms — Good Girl Gone Bad was a first-rate dance-pop album, stacked with several chart-topping singles and boasting collaborations with Jay-Z, Ne-Yo, Timbaland, and StarGate. The lead single, "Umbrella," shot to number one, as did "Take a Bow" and "Disturbia." Its success turned Rihanna into one of the planet's biggest pop stars.
Rated R was released in 2009 during the wake of a physical altercation with romantic interest Chris Brown, who pleaded guilty to felony assault. The album's lead single, "Russian Roulette" — written with Ne-Yo — was one of the year's most controversial singles, and it set the tone for the singer's new, dark direction. Rated R peaked within the Top Five of the Billboard 200, while another one of its singles, "Rude Boy," topped the Hot 100. Rated R: Remixed was released in the spring of 2010 and featured ten tracks from the album revamped for the dancefloor by Chew Fu.
Loud, Rihanna's fifth studio album, followed in November and was led by the StarGate-produced "Only Girl (In the World)." That song, as well as the follow-up singles "What's My Name?" and "S&M," all topped the Billboard Hot 100. In November 2011, shortly after Loud's "Cheers (Drink to That)" entered the Top Ten, the singer released Talk That Talk. The single "We Found Love" with Calvin Harris earned the top spot in the Hot 100, and the album peaked at number three.
Unapologetic, Rihanna's seventh studio album, featured some of her brashest material and was led by "Diamonds" — her 18th Top Ten single. Unapologetic became her first number one album, and eventually produced further Top Ten hits in "Stay" and "Jump." By the fall of 2013, another record had fallen: her feature on Eminem's "The Monster" helped it hit number one on the pop charts, tying her with Michael Jackson for the most chart-toppers in Billboard chart history. The song won a Grammy Award in the category of Best Rap/Sung Collaboration. In early 2015, Rihanna released "FourFiveSeconds," a stripped-down single featuring the unlikely duo of Kanye West and Paul McCartney. It topped the Hot 100 and was followed by the cruder "Bitch Better Have My Money," which led the way to Anti several months later.
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. His Beach House EP landed in 2014 featuring production from DJ Mustard, Young Chop, and others. Appearances on Chris Brown and Tyga's Fan of a Fan: The Album and Big Sean's Dark Sky Paradise followed, then his hit single "Blase" landed in 2015, featuring Rae Sremmurd and Future. Debut album Free TC was also released that year, with a varied guest list that included Babyface, E-40, and Wiz Khalifa.
Ashton Blaze - Bizzy (Clean)
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Ashton Blaze - Bizzy (Clean).mp3
Dj's this is a must have in your digital crates. This is a party starter record. I can see more to come from this artist Ashton Blaze.