In the span of three short years, Kanye West went from hip-hop beatmaker to worldwide hitmaker, as his stellar production work for Jay-Z led to a major-label recording contract and, ultimately, a wildly successful solo career. West paired his beats with tongue-twisting raps and a self-assured, flamboyant personality. His dapper fashion sense set him apart from many of his rap peers, and his confidence often came across as boastful or even egotistic, albeit amusingly so. This flamboyance, of course, made for good press, something that West enjoyed in spades during his sudden rise to celebrity status. He was a media darling, appearing and performing at countless awards shows (and winning at them, too), delivering theatrical videos to MTV, and mouthing off about whatever happened to cross his mind. He frequently spoke out against the rampant homophobia evident in much rap music, posed for the cover of Rolling Stone as Jesus Christ, and even claimed during a televised Hurricane Katrina fundraiser that "George Bush doesn't care about black people." West courted controversy, no question about it, but his steady presence in the celebrity limelight couldn't eclipse his musical talent. His production abilities seemed boundless during his initial surge of activity, as he not only racked up impressive hits for himself (including "Jesus Walks" and "Gold Digger"), but also collaborated on smash hits with the likes of Jay-Z and Ludacris. As his career progressed throughout the early 21st century, West shattered certain stereotypes about rappers, becoming a superstar on his own terms without adapting his appearance, his rhetoric, or his music to fit any one musical mold.
Coming out of left field (i.e. Chicago, a city rarely praised for its hip-hop exports), West was an unlikely sensation and more than once defied adversity. Like so many others who were initially inspired by Run-D.M.C., he began as just another aspiring rapper with a boundless passion for hip-hop, albeit a rapper with a Midas touch when it came to beatmaking. Indeed, it was his beatmaking prowess that got his foot in the industry door. Though he did quite a bit of noteworthy production work during the late '90s (Jermaine Dupri, Foxy Brown, Mase, Goodie Mob), it was West's work for Roc-a-Fella at the dawn of the new millennium that took his career to the next level. Alongside fellow fresh talent Just Blaze, West became one of The Roc's go-to producers, consistently delivering hot tracks to album after album. His star turn came on Jay-Z's classic Blueprint (2001) with album standouts "Takeover" and "Izzo (H.O.V.A.)." Both songs showcased West's signature beatmaking style of the time, which was largely sample-based — in these cases, the former track appropriating snippets of the Doors' "Five to One," while the latter sampled the Jackson 5's "I Want You Back."
More high-profile productions followed, and before long word spread that West was going to release an album of his own, on which he planned to rap as well as produce. Unfortunately, that album was a long time coming, pushed back and then pushed back again. It didn't help that West experienced a tragic car accident in October 2002 that almost cost him his life. He capitalized on the traumatic experience by using it as the inspiration for "Through the Wire" (and its corresponding video), which would later become the lead single for his debut album, 2004's The College Dropout. As the album was continually delayed, West continued to churn out big hits for the likes of Talib Kweli ("Get By"), Ludacris ("Stand Up"), Jay-Z ("'03 Bonnie & Clyde"), and Alicia Keys ("You Don't Know My Name"). Then, just as "Through the Wire" was breaking big-time at the tail end of 2003, another West song caught fire, a collaboration with Twista and comedian/actor Jamie Foxx called "Slow Jamz," which gave the rapper/producer two simultaneously ubiquitous singles and a much-anticipated debut album. As with so many of West's songs, the singles were driven by somewhat recognizable sample-based hooks — Chaka Khan's "Through the Fire" in the case of "Through the Wire," and Luther Vandross' "A House Is Not a Home" in the case of "Slow Jamz."
In the wake of his breakout success, West earned a whopping ten nominations for the 47th annual Grammy Awards, held in early 2005. The College Dropout won the Best Rap Album award, "Jesus Walks" won Best Rap Song, and a songwriting credit on "You Don't Know My Name" for Best R&B Song award was shared with Alicia Keys and Harold Lilly. Later that year, West released his second solo album, Late Registration, which spawned a series of hit singles ("Diamonds in Sierra Leone," "Gold Digger," "Heard 'Em Say," "Touch the Sky"). The album topped the charts, as did the "Gold Digger" single, and Late Registration eventually won a Grammy for Album of the Year.
West's production work continued more or less unabated during this time; particularly noteworthy were hits for Twista ("Overnight Celebrity"), Janet Jackson ("I Want You"), Brandy ("Talk About Our Love"), the Game ("Dreams"), Common ("Go!"), and Keyshia Cole ("I Changed My Mind"). West also founded his own label, GOOD Music (i.e., "Getting Out Our Dreams"), in conjunction with Sony BMG. The label's inaugural release was John Legend's Get Lifted (2004), followed one year later by Common's Be. In addition to all of his studio work, West also toured internationally in support of Late Registration and released Late Orchestration: Live at Abbey Road Studios (2006) in commemoration.
After retreating from the spotlight for some time, West returned to the forefront of the music world in 2007 with a series of album releases. Consequence's Don't Quit Your Day Job and Common's Finding Forever, both released by GOOD, were chiefly produced by West; the latter proved to be particularly popular, topping the album chart upon its release in July. And then there was West's third solo album, Graduation, which was promoted well in advance of its September 11 release (a memorable date that pitted Kanye against 50 Cent, who in one interview swore he would quit music if his own album, Curtis, wasn't the top-seller). A pair of singles — "Can't Tell Me Nothing" and "Stronger," the latter an interpolation of Daft Punk's 2001 single "Harder, Better, Faster, Stronger" — led the promotional push. It became his third consecutive chart-topping album, and its success culminated in eight Grammy nominations. West was the victor in four of the categories, and he performed two songs during the ceremony, including Late Registration's "Hey Mama," chosen in honor of his recently deceased mother. That loss, compounded by a breakup with his fianc
When the So Icey brand name comes to mind, off top you probably think of Gucci Mane, followed by newcomer OJ da Juiceman. Now there is another So Icey offspring growing in the South - Waka Flocka Flame. Taken under Gucci’s wing to learn the ropes, Waka surprised himself with how easily he took to the sport of rapping. “Gucci showed me how to rap. He said, ‘Bro, dis shit easy.’ I just listened to what my boy said, and this shit is easy. I been rappin’ for like a year now.” Though he claims it’s been easy, Waka may not realize how difficult it is for the average rapper to collect a fanbase his size, especially in such a short amount of time. With the release of his first mixtape earlier this year, the 23-year-old quickly found out his forte was with the female audience. “I’ve got more girl fans than anything,” he claims. “I’ve got a song called ‘Down Ass Girl’ and I was just playin’ [when I made that song] but they liked that a lot. That’s like the 1 song on the mixtape.” The entire mixtape was recorded in a week, and during that week Waka created several hits: “Down Ass Girl,” “Dreads and Golds,” and his current club record, “O Let’s Do It.” The latter song has increased his scope of listeners and made him one to follow in the streets of Atlanta. Self-described as a mix between Eazy E, Lil Jon, and Gucci Mane, Waka’s goal with music is to get people crunk and make girls dance. Sounds simple enough, but it’s a far different goal than what he might have had growing up. Originally from New York, Waka relocated to Riverdale, GA when he was 9 years old, over a decade before his music profession materialized. “Swear to God, I liked drug dealers and basketball players when I was growing up,” Waka says of his childhood role models. “It was either sell drugs or play basketball.” But now an entirely different set of doors has been opened for him, and he feels it’s important to let others experience his life through lyrics. “It’s just a struggle. You gotta make people believe in what you went through in life. You gotta emphasize that and make them feel it, and at the same time make it entertaining.” With a clear purpose behind his music, Waka is presently working on the double-disc sequel to his debut project. He’s also contributing to the 1017 Brick Squad mixtape, a group which consists of Gucci Mane, OJ da Juiceman, Waka, Wooh the Kid, Frenchie, and more. “We’re like the new N.W.A,” Waka says. And even while comparing his labelmates to the legendary group, Waka explains why he does so well as a solo artist. “I’m in my own lane, I’m rapping my own way, doin’ my own thang. I guess the shit I say touched so many people that they fuck with me.” Follow @WakaFlocka1017 on twitter! Waka Flocka on MySpace Music - Free Streaming MP3s, Pictures & Music Downloads Download Waka Flocka Flame Roscoe Dash Wale Hands (Dirty) Green Hitz com mp3